Born in Africa and bred in the diaspora, Transition is a unique
forum for the freshest, most compelling, most curious ideas about race.
Since its founding in Uganda in 1961, the magazine has kept apace of
the rapid transformation of the black world and has remained a leading
forum of intellectual debate. Now, in an age that demands ceaseless
improvisation, we aim to be both an anchor of deep reflection on black
life and a map charting new routes through the globalized
world. Transition is a publication of the Hutchins Center at Harvard
University, published three times annually by Indiana University Press.
Alejandro de la Fuente, Editor.
Transition aims to speak to the broader intelligentsia and the educated lay public through jargon-free, readable prose that provides both insight and pleasure.
We accept submissions year-round on a rolling basis. We generally respond to all submissions within four months. Due to volume, we are unable to provide updates on the status of submissions unless more than four months have passed.
Transition publishes writing by and about Africa and the African diaspora, with an eye towards a global perspective. Please familiarize yourself with our Archive and read a recent issue to gain a sense of both the content and style that we seek.
General Submission Guidelines
- Transition does accept simultaneous submissions. Please notify us immediately if you need to withdraw a piece because it has been accepted elsewhere.
- Transition does not accept multiple submissions within a four-month period. Within a season, an author may submit one packet of 5-7 poems, 1 short story, 1 essay, or 1 interview. Multiple submissions will result in all submissions being rejected.
- Transition now only accepts electronic submissions through Submittable. Submissions sent by physical mail will be recycled unread.
- Expect to revise. With the exception of poetry, Transition almost never publishes work in the form it was originally submitted. Authors of work under consideration may receive editorial feedback and requests to revise prior to final acceptance.
- All submissions should include a brief cover letter that includes a short author bio.
- For all submissions, please include the following information in your cover letter and in the top left corner of the first page of all documents:
Title of the work
Word count (or page count, for poetry)
- Pages should be numbered and include the author’s name on every page.
- All text submissions must be in .doc, .docx, or .pdf file format. Images may be submitted in .jpg, .tiff, .gif, or .png.
- Use 12pt. Times New Roman font unless there is a stylistic reason to do otherwise.
Transition pays contributors with one print copy of the issue in which their work appears, and the opportunity to reach a broad, international audience.
"We conspire because we claim a place of dignity in written, spoken, and artistic history […] We agreed with our predecessors about the immense potential of Afrodiasporic feminism and its underlying principles to fight for ourselves and the future generations of Black women in the world."
Vergara Figueroa and Arboleda Hurtado (2016)
Kimberlé Crenshaw’s intersectionality theory draws attention to Black women’s experiences of intertwined structures of power and oppression, including racism, misogyny, classism, heterosexism, discrimination based on immigration status, ableism, transmisogyny. That said, Black women fight everyday of their lives to survive, but also to receive acknowledgment and recognition.
Grounded in Black feminist theory, this special issue of Transition Magazine seeks to engage a dynamic conversation on the topic Black Women/Superheroes. This issue will explore the notion of Black women’s persistence within a globalized, racialized and gendered contemporary world. We invite submissions that investigate, discuss, critique, and complicate the interaction of race, ethnicity and gender in comics, as both a visual and written genre. We are also interested in interrogating social constructions and caricatures of Black womanhood, including the “strong Black woman,” trope and, most importantly, the humanity and lived realities of Black women in the world. Transition Magazine invites both critical and creative contributions around these ideas, and encourages writers, poets, artists, designers, musicians, and scientists to submit their work for this issue. Possible topics include but are not limited to:
· Comics as coded texts (eg. survival manuals, confessional space, cautionary tale, subversive, fantasy, experiment)
· Black bodies and representations of beauty in comics
· Discussions of power, powers and superpowers
· Conceptions of evil or villains in comics
· Role of science and philosophy in comics
· Conceptions of gods, goddess, religion spirituality and the occult in comics
· Comics as an unmediated, autonomous feminist space
· Notions of flaws in superheroes
Deadline extended: January 15th 2018.
Our ideal length for non-fiction prose is 6000 words. Although we occasionally publish shorter pieces, we almost never publish longer pieces. Unlike academic journals, we believe that the mode of expression is just as important as the content. Academic clichés, locutions, and jargon, in addition to authorial intrusions such as “I am going to argue...,” “In the second section of this paper I will...,” etc., are best avoided, since they tend to disrupt the narrative flow.
We expect the nonfiction pieces published in Transition to display the virtues of high-quality literary fiction, especially narrative prose, which leads the reader naturally from one sentence to the next. Rich description and attention to voice, tone, imagery, and word choice are all appreciated. We also welcome provocative points of view that stimulate debate.
N.B. As a nonacademic journal, we do not run footnotes or give strict bibliographic documentation for the ideas expressed in our essays. One way to cite quotations or reference scholars is by incorporating the reference into the sentence; for example, “As Edward Said reminds us in Culture and Imperialism, ‘Appeals to the past are among the commonest of strategies in interpretations of the present.’”
- Five to ten high-resolution (300 dpi) images for which you would grant Transition permission to publish
- Caption information for submitted images (Title. Materials. Size. Courtesy (if any). Copyright year, artist name.)
- A short bio (150 words or less) in an MS Word document
- Contact info, including name, address, email and phone
Although Transition is unable to pay contributors, we provide the opportunity to reach a broad, international audience by including a brief profile on each artist whose work is used to complement our text pieces.
Please note that most artwork and photography in Transition appears in black and white, and we can use only high-resolution images (300 dpi). Others will be discarded.