Born in Africa and bred in the diaspora, Transition is a unique
forum for the freshest, most compelling, most curious ideas about race.
Since its founding in Uganda in 1961, the magazine has kept apace of
the rapid transformation of the black world and has remained a leading
forum of intellectual debate. Now, in an age that demands ceaseless
improvisation, we aim to be both an anchor of deep reflection on black
life and a map charting new routes through the globalized
world. Transition is a publication of the Hutchins Center at Harvard
University, published three times annually by Indiana University Press.
Alejandro de la Fuente, Editor.
Transition aims to speak to the broader intelligentsia and the educated lay public through jargon-free, readable prose that provides both insight and pleasure.
We accept submissions year-round on a rolling basis. We generally respond to all submissions within four months. Due to volume, we are unable to provide updates on the status of submissions unless more than four months have passed.
Transition publishes writing by and about Africa and the African diaspora, with an eye towards a global perspective. Please familiarize yourself with our Archive and read a recent issue to gain a sense of both the content and style that we seek.
General Submission Guidelines
- Transition does accept simultaneous submissions. Please notify us immediately if you need to withdraw a piece because it has been accepted elsewhere.
- Transition does not accept multiple submissions within a four-month period. Within a season, an author may submit one packet of 5-7 poems, 1 short story, 1 essay, or 1 interview. Multiple submissions will result in all submissions being rejected.
- Transition now only accepts electronic submissions through Submittable. Submissions sent by physical mail will be recycled unread.
- Expect to revise. With the exception of poetry, Transition almost never publishes work in the form it was originally submitted. Authors of work under consideration may receive editorial feedback and requests to revise prior to final acceptance.
- All submissions should include a brief cover letter that includes a short author bio.
- For all submissions, please include the following information in your cover letter and in the top left corner of the first page of all documents:
Title of the work
Word count (or page count, for poetry)
- Pages should be numbered and include the author’s name on every page.
- All text submissions must be in .doc, .docx, or .pdf file format. Images may be submitted in .jpg, .tiff, .gif, or .png.
- Use 12pt. Times New Roman font unless there is a stylistic reason to do otherwise.
Transition pays contributors with one print copy of the issue in which their work appears, and the opportunity to reach a broad, international audience.
Fear: an unpleasant emotion caused by the belief that someone or something is dangerous, likely to cause pain, or a threat.
From fear as weaponized terror, to the fear of the Other, the fear of love, the fear of death, the fear of failure, of success, of spiders, crowds, heights, closed spaces etc., fear is such a primal and inescapable part of living. Our phobias, the things that make us human or, indeed, inhuman, are as diverse and as peculiar as the varied lives that we lead. Our fears, and the dance between fear and fearlessness, shape how we live, how we interact, and how we conceptualize ourselves and others.
The conversations of our day on immigration, race and integration, and terrorism, among others, point to the timelessness of the basic question of how fear influences human beings and our struggle to live together in the world.
Fear is a diverse topic. We welcome submissions of fiction, poetry, prose and visual art on all aspects of this dynamic force, covering themes as varied as recent global events to philosophical and fantastical treatments of the subject.
Please read our submission guidelines here:
Our ideal length for non-fiction prose is 6000 words. Although we occasionally publish shorter pieces, we almost never publish longer pieces. Unlike academic journals, we believe that the mode of expression is just as important as the content. Academic clichés, locutions, and jargon, in addition to authorial intrusions such as “I am going to argue...,” “In the second section of this paper I will...,” etc., are best avoided, since they tend to disrupt the narrative flow.
We expect the nonfiction pieces published in Transition to display the virtues of high-quality literary fiction, especially narrative prose, which leads the reader naturally from one sentence to the next. Rich description and attention to voice, tone, imagery, and word choice are all appreciated. We also welcome provocative points of view that stimulate debate.
N.B. As a nonacademic journal, we do not run footnotes or give strict bibliographic documentation for the ideas expressed in our essays. One way to cite quotations or reference scholars is by incorporating the reference into the sentence; for example, “As Edward Said reminds us in Culture and Imperialism, ‘Appeals to the past are among the commonest of strategies in interpretations of the present.’”
- Five to ten high-resolution (300 dpi) images for which you would grant Transition permission to publish
- Caption information for submitted images (Title. Materials. Size. Courtesy (if any). Copyright year, artist name.)
- A short bio (150 words or less) in an MS Word document
- Contact info, including name, address, email and phone
Although Transition is unable to pay contributors, we provide the opportunity to reach a broad, international audience by including a brief profile on each artist whose work is used to complement our text pieces.
Please note that most artwork and photography in Transition appears in black and white, and we can use only high-resolution images (300 dpi). Others will be discarded.